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Research Interests:
My research focuses on physical comedy and spectacle theatre, with a
particular emphasis on the nineteenth century American stage. Currently,
I am working on two manuscripts.
The Hanlon Brothers: From Daredevil Acrobatics to Spectacle Pantomime,
1833 - 1931.
"Theatre in the Americas Series," Southern Illinois University
Press, Fall 2009.
The Hanlon Brothers were a protean family of nineteenth-century performers
renowned for an array of aerial, gymnastic, and theatrical specialties.
Hailing from Northern England, the family spent their early career cris-crossing
the globe performing a dizzying series of daredevil routines. Following
a tragic mishap, in the late 1860s the family turned to the production
of startlingly macabre pantomimes, replete with violent slapstick comedy.
Lasting fame came to the Hanlons in 1879 when they unveiled the astonishing
Le Voyage en Suisse. Settling in Cohasset, Massachusetts, the surviving
brothers eventually withdrew from the stage and spent the duration of
their career managing their long-lived fairy pantomimes Fantasma and
Superba.
Borrowing heavily from English pantomime and the French féerie,
the Hanlons evolved a unique theatrical style which combined breath-taking
acrobatics with trick scenery, novel illusions, and wild, often violent,
knockabout comedy. In essence, the Hanlons pantomimes were pure
visual spectacle. Yearly, they were revamped, with new thrills added to
loosely concocted plot lines. Each new production was eagerly
anticipated by their audiences, as a 1905 writer stated in the New
York Times: The country towns await the Hanlons visit
like the circus, as an annual institution.
Spectacle Pantomimes of the Nineteenth Century American Stage
I am editing a collection of evening-long pantomimes that were popular
on the nineteenth century American stage. This book will survey a number
of pantomime producers, including the Hanlons, the Byrne Brothers, George
L. Fox, George H. Adams, the Kiralfys, the Ravels, and the Martinettis.
Drawing from scripts deposited in various archives, this book seeks to
make these works accessible to students and scholars.
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